JAKE CLELAND

In a hundred years, when historians are looking back at reality TV shows to understand what the fuck was going on in American culture during the nation’s decline, there are going to be dozens, if not hundreds, of dissertations written on a short-lived series on the E! network called Pretty Wild.

Creator Dan Levy envisioned it as yet another show about a mother and her wild teenage daughters in star-studded, superficial Los Angeles—in this case, the mom was supposedly home-schooling the girls and basing her curriculum on the self-help film The Secret. But shortly after shooting the pilot episode, Alexis Neiers, one of those daughters, was arrested and charged with being part the “Bling Ring,” a group of teens who allegedly robbed the homes of celebrities, including Orlando Bloom, Lindsay Lohan, and Paris Hilton. To this day, Alexis denies that she was involved with these crimes, but the case and the ensuing publicity resulted in one of reality TV’s funniest (and saddest) moments: a weeping, clearly high Alexis screaming, “Nancy Jo. This is Alexis Neiers calling!” while leaving several hysterical voicemails for Vanity Fair journalist Nancy Jo Sales, who wrote that Alexis wore “six-inch Louboutin heels to court” when she actually wore “four-inch, little brown BeBe shoes.

My interview on VICE with Alexis Neiers about reality tv, her plans to become the next Dr. Drew, and how much Sofia Copolla sucks. (via mitchellsunderland)

This is a very good interview. The infamous clip portrays Neiers as completely lacking self-awareness but the interview kind of contradicts that.

(via vicemag)

Previous Star Trek iterations have always mentioned something called a ‘warp signature’, but here we get to see it—as the ship jumps into super-speed, blue particles of crystalized energy disintegrate into nothingness, as if they were snowflakes in a Robert Frost poem. These moments are representative of Star Trek’s entire history, up to this point. The leap, the curiosity the danger, the fun. And then as quickly as they came they’re gone again, leaving us with this shitstain of a movie.

—I saw Star Trek with David and Tim today. I guess he didn’t like it as much as I did.

faganchelsea:

[massive snip]

all that to say, get over it. or go to another website, maybe one that uses a holier-than-thou kickstarter (and fails miserably) to fund its content because it wants to pretend like the idea of taking money for ads and paying a decent wage — something media has been doing pretty much since its inception — is a slap in the face to creativity.

ugh.

I can’t even begin to get into everything wrong with this post but I at least want to defend UNCOOL on this point. If UNCOOL launched with ads and pursued the typical and truly unfortunate model of ad-supported content, it’d be a long time before ANYBODY saw any money. Dave wanted to pay the writers out of the gate, and pay them very fucking well, and he could’ve done that if it got funded. I don’t think I need to rehash why it didn’t get funded, but don’t shit all over UNCOOL when its core conceit is something people should be seriously considering more often, rather than surrendering to advertisers because it’s the paradigm. Dave took a risk and it didn’t work out for him but if things are ever gonna change (Chelsea Fagan argues they don’t need to; I disagree) we need more people willing to do just that.

I hope I look this good when I’m pushing 40.

I hope I look this good when I’m pushing 40.

theaudacityofswope:

lexkap:

Fuck Yeah Converse Music launch day.

nbd

“Bro you got your new Converses bro? I mean they definitely just like care about the music you know? That’s why I’m so down with them, ‘cos like even though they’re soul-sucking pieces of shit with a history of human rights abuse, they’re just like trying to get the music out there and foster an authentic community, dude. It’s totally right on.”

theaudacityofswope:

lexkap:

Fuck Yeah Converse Music launch day.

nbd

“Bro you got your new Converses bro? I mean they definitely just like care about the music you know? That’s why I’m so down with them, ‘cos like even though they’re soul-sucking pieces of shit with a history of human rights abuse, they’re just like trying to get the music out there and foster an authentic community, dude. It’s totally right on.”

The Music Writer’s Code

markrichardson:

If, when casually speaking with someone, you state an idea about a new record that your conversation partner might also be reviewing, you realize that this person might steal your idea for his/her review. If you are worried about your idea being stolen, you don’t share it in private conversation but rather write it down somewhere in public view first, so the fact that it is “your idea” is documented. In other words, you only share in conversation what you don’t mind being stolen. Am I right about this?

This is pretty interesting. Both Grossman and Brandon Soderberg wrote comments saying you just shouldn’t steal ideas, and obviously that would be ideal. But when you have a lot of conversations about music with people, inevitably your ideas become linked with theirs and theirs with yours to the point where they become inextricable. This is totally normal and I think positive, because why else talk to someone about music if not to gain some other insight and perspective? Obviously if it’s a thematic thread running through an album or some overarching idea like that, then yeah, it’s pretty fucking obvious where their thinking ends and yours begins and if you know they’re gonna write about it, there’s no point in doing so yourself ‘cos nobody’s gonna read two reviews which say the same thing. It’s just not as simple as saying “Right, I’ll never steal anyone else’s ideas,” because it’s not always obvious which ideas belong to whom. At least in my experience I have no significant idea what I’m going to write about until I actually write about it so I don’t find myself in many intermediate situations in which I detail my plans to someone else. But talking to someone about a particular artefact of music is invaluable in helping to form your own opinions and that feedback will invariably sink in to whoever’s receiving it. As Mark says, only share what you don’t mind being stolen - or to put it more generously, only share what you don’t mind other people using to inform their opinion.

squeela:

Remember Gawker relationship columnist Tionna Smalls? She’s gonna be doing her thing on an MTV show - and yes, it is called “Girl, Get Your Mind Right!” 

Jeremy we gotta watch this. #girlcode

Manors

—A.C.

lablague:

Today you can download or stream the first full-length Manors record, Fit In. I really hope you will if only because I think it has a little something for everyone. 

It is, by far, my greatest accomplishment. I know I’m supposed to act all over-it and millennial in lieu of earnest feelings, but I don’t really want to do that. It was the most challenging, rewarding, and terrifying project I’ve ever completed because when you write, record, mix, and have a hand in every part of the process, it’s like you are queen of your own successes and also demise, the latter of which I experienced many, many times.

I will be playing shows in Philly and New York in the near future. One on Sunday, one in June, one in July. I’ll share info for those shows here and on the Manors page. This summer, expect a cassette release through my great friend Chaz at Eat A Book Records in the UK. And if you want to email me for whatever reason anyone would want to email me, it’s dayna.a.evans@gmail.com.

Thanks to Spuds, Greg, Evan, Zach C, Zach FShane, A.C., Jake, Dan, Brendan, Brynn, Chaz, Mike, Steph, Robert, Rose, Craig, Andy, the 2008 Philadelphia Phillies, Coke Zero, and you.

PLEASE DON’T HATE ME PLEASE DON’T HATE ME PLEASE DON’T HATE ME PLEASE DON’T HATE ME

Damn, you guys. This record.

ryanpitchfork:

thevampireweekends:

Vampire Weekend//SNL Bumpers; May 11, 2013

I’d never been to SNL before but last night my friend Hannah wound up with two tickets (“Steve” Burke!) and let me tag along as a return favor for the time I gave her my +1 to the Vampire Weekend show at Roseland Ballroom. (Thanks, Hannah!) Then there was an afterparty at Ruby Foos and an afterafterparty with live band karaoke at The Cutting Room where, at the end of the night, some jerk was so desperate to get in that he yelled something at the bouncer that he couldn’t take back and it was so awful that it killed my entire vibe. It was dawn by the time we left and Rostam was still holding it down at the bar with half the cast. Did I mention these guys are good guys? They’re pretty good guys. I think they have a record out or something.

Is your friend Hannah Hunt?

sleepssundays:

lookimakemusic:

THIS MACHINE IS ALIVE.

lookimakemusic2013////teasetrtrailer++++

[Everything I know about mysterious buzzhype marketing I’ve learned in the last six weeks]

A teaser trailer, for stuff that the band I sing in is doing.

Soundtracked by a drone I made out of a Drake song. Come party with us on Friday in Nottingham?

Cool bands.

Hey I’m In New York.

Hey I’m In New York.